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The Cambridge Medieval Classics series allows access, often for the first time, to outstanding writing of the Middle Ages, with an emphasis on texts that are representative of key literary traditions and that offer important insights into the culture of medieval Europe.

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Good Friday, finally, is a long cry of pain gradually giving way to a faint glimmering of light: “It is good to await in silence the salvation of God”. And Jeremiah’s prayer, albeit desperate, opens the way to hope: “Jerusalem, Jerusalem, return to the Lord, your God”.

This pathetic appeal concludes, before each response, the three verses of these three days.

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Only the thirteenth candle remains alight when the final chord dies away.

The sounds that pour out give voice to his joy of life, frees his desire to go towards others and offer his greatest pleasures, prayers or meditation: he sings his love of life.

In all his works one feels this fundamental happiness of being alive, his need to illuminate the souls, to exalt the hearts.

His desire to share his faith, his hope, his love, are the touching aspects of his musical approach and contribute to his metaphysical quest by enriching life through the art of sounds.

Marcel Landowski is the very example of a musician, of an exceptional creator, who leaves his imprint on the musical life of our time because of the power of his expression, of his artistic outlook, and of the fidelity and firmness of his ethical and a aesthetical stands.

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